a Canadian over Hiroshima

In a favourite frequent dream he was Little Boy, released lazily from the fuselage, falling freely over the city with his eyes open wide, toward the topography and civil systems, framed by the compass horizon. This was the elegance of his descent, the landscape static below for that long minute, having been dropped from so high, decent divorcing distance. Then the dense second of his detonation, uranium-235 colliding, as he became the toroidal vortex that defined him forevermore.

He woke at 3:00 a.m., in the heat of that fire over Hiroshima. But he remembered quickly that it was August, and that the heat was merely the swelter over his dull prairie neighbourhood. He sat up in his bed, scanning the dark for ghosts. But until that night, there had been none. The dead had spent no time in his ordinary garden. They hadn’t peeked over its walls, or tried its gate. The dead danced on other planets.

He was a man of many regrets, prone to saying he had none. Alive to the murder/suicide in things, he wrote equations to forget, on his ceilings and walls, papering over the windows and writing over them. Kilometres of binaries, brackets, numbers, functions, powers and variables throughout the house, all in 4B graphite pencil. There were holes in things. He gauged their sizes and pinpointed their locations. Strings of calculus. He dusted carefully the boundaries between objects, a bit of mathematical fibre on a toothpick run along the cracks in things. 3:00 a.m. glowed in the dark. Fictitious, a fraud.

Time is equal to distance over velocity, t = d/v; anguish equal to isolation over remembering, a = i/r.

The Enola Gay, with a crew of 12, 7,000 gallons of fuel, and a 9,000 pound bomb in its belly lifted off from Tinian Airfield at 2:45 a.m. on August 6, 1945. The B-29 Superfortress had four engines and was propeller-driven, a heavy bomber designed by Boeing. It was advanced for its time, with a pressurized cabin, an electronic fire-control system, and remote-controlled machine-guns. The crew dropped the bomb over the city at 8:15 a.m.

A girl on the ground, at that moment, looked up at the silver bead falling in the sky, her head tilted back, her mouth open slightly. Curious at first. Then, “Raijū,” she said, a second before she was blinded.

She wore a blue cotton dress like any Japanese schoolgirl of her time, and now sat on a chair near the bedroom window opened inches to the night. “I saw you in the sky,” she said to him, “that morning. And for all of the enmity and cunning that delivered you there, you were passive and imbecilic, round and ridiculous, a silly tantrum.”

“But you misunderstand,” he said. “I simply have dreams.”

She looked around at the numbers on his walls, and said, “I felt your heat for a second, and then I was ash. A silhouette. A moment scorched onto a wall.”

“I’m sorry,” he said, his fists twisting the sheets, and at some point fell back to sleep.

She was gone in the morning, and he wrote a = i/r with a finger in the bathroom mirror’s morning steam. Equations and the dead have their silence, and they stand on stone.







One thought on “a Canadian over Hiroshima

  1. haunting and beautiful. a = i/r that’s just profound, ‘ol buddy

    Michael L. Valois 778.877.1929

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